Sunday, January 31, 2010

Madanikas of the Channakeshava Temple, Belur – Part 5

Madanika 30: abhimani. Wall 32

Madanika 29 W32
This madanika is called Abhimani… the proud one. Symbolizing someone who has a lot of pride in her beauty and is also very conscious of it.

Madanika 29a W32


The sculpture at the left (at her feet), holds up a mirror but is looking away – kind of telling her ‘woman, reality check’

 

 

 

Madanika 31: Imaginary flute. Wall 33.

Madhanika 30 W33
This one has an imaginary flute in her hand.
Nope… double checked… the flute was not removed in the eight hundred odd years since this has been in place. 


 

 

 

Madanika 32 & 33: Wall 33 & Between 33-34

Madanika 31 W33


Madanika 32 W33-34






 

 

 

Madanika 34: The married one. Wall 34

Madanika 33 W34
This one depicts a woman who has been recently married and who toe is being adorned by a toe-ring. 

Madanika 33a W34


In parts of India, especially the south, married women wear a toe-ring.

Madanika 33 W34I like the detailing in this one… she is holding onto a vine for balance.




 

 

 

 

Madanika 35: The Drummer. Wall 34.

Madanika 34 W34
As in an earlier one, this is not really a madanika… but is a sculpture of a man. A drummer.




Madanika 34a W34
the drummer is tuning his drums by tightening the ropes that pull the skins together.

 

 

 

 

Madanika 36: Wall 35.

Madanika 35 W35 Don’t really have much on this one.




 

 

 

 

 

Madanika 37: Wall 35

Madanika 36 W35
This madanika is one of the most intricately carved ones.


The carvings around the head are really beautiful.
Madanika 36 W35







I’d imagine most of the madanikas had this kind of sculpture at the top… but most don’t.

 

 

Wall Reference:

chennakeshava temple belur wall numbering

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